Video by Navid Navab

Organism is an experimental instrument built by Navid Navab and Garnet Willis from a 1910 Casavant pipe organ rescued from a heritage site in Montréal. Its pipes and pneumatic mechanisms have been modified to undo the design features that keep an organ's airflow stable, and robotically controlled motors and valves shape the flow of air to each pipe. The result is an acoustic instrument, with no digital sound, that produces unstable, turbulent timbres.

Organism has been presented as a solo concert, Organism: In Turbulence, in which Navab improvises with the instrument, and as an installation, Organism + Excitable Chaos, in which the movements of a robotically steered chaotic triple pendulum, tracked by motion sensors, drive the organ. The project received the Golden Nica for Digital Musics & Sound Art at Prix Ars Electronica 2025, and the 2025 Lumen Prize Identity & Culture Award.

Role

From 2021 to 2022 I worked with Navid Navab on the Max software used to play Organism. I built a set of libossia-based control modules that facilitate live performance and composition, including LFOs, range mappers, a randomized transport-synced clock, and a module for chaotic attractors. I also developed the servo and valve control layer that regulates air to the pipes, the preset system, hardware controller mappings, and systems to read motion sensors.

Tools

Max, libossia

Performances and exhibitions

2026
Blaues Rauschen, Musikforum Ruhr, Bochum, Germany
2026
Munich Biennale, Muffatwerk, Munich, Germany
2026
MaerzMusik, Berliner Festspiele, Spore House, Berlin, Germany
2025
Ars Electronica, Mariendom, Linz, Austria (concert and installation)
2025
Prix Ars Electronica exhibition, Lentos Kunstmuseum, Linz, Austria (Organism: An Investigative History, video)
2025
PRISMA, Igreja das Carmelitas, Aveiro, Portugal (installation)
2025
iMAL, Brussels, Belgium (concert and installation)
2025
FIBER Festival and Orgelpark, Amsterdam, Netherlands
2025
Gibanja Festival and Kontejner, Zagreb, Croatia (concert and installation)
2025
Rewire Festival and iii, The Hague, Netherlands (concert and installation)
2024
Werktank, Leuven, Belgium
2024
Ars Electronica, Post City, Linz, Austria (concert and installation)
2024
ELEKTRA, Arsenal Contemporary, Montréal, QC (concert and installation)
2024
Eastern Bloc and Ateliers Belleville, Montréal, QC (installation)
2024
Mois Multi, La Nef, Québec City, QC (concert and installation)
2023
Hexagram Gala, Montréal, QC
2023
Montréal/Nouvelles Musiques, Montréal, QC
2023
La Grande Nuit, GRMS and SMCQ, Montréal, QC
2022
FIMAV, Victoriaville, QC (early version for ensemble, commissioned by No Hay Banda)

Credits

Concept, direction, composition, sculpture, programming, design, electronics, performance
Navid Navab
Engineering, design, sculpture, electronics
Garnet Willis
Production
Transductive Formations
Research partners
SAT Montréal, Topological Media Lab, X-IO Technologies
Assistance and consulting
Charles Bicari, Jean-Michaël Celerier, Camille Desjardins, Eric L'Ecuyer, Nick Everette, Evan Montpellier, Asa Perlman, Philippe Vandal
Support
Canada Council for the Arts, Conseil des arts et des lettres du Québec, Conseil des arts de Montréal